节省 $14.99 时尚前卫的 废墟中的巴黎：爱情、战争和印象派的诞生 美国亚马逊Amazon

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《纽约时报》书评编辑推荐奖、《波士顿环球报》“今年秋天我们迫不及待想读的 20 本书”以及 Next Big Idea Club“2024 年 9 月必读书籍”

这位普利策奖获得者艺术评论家对巴黎的“可怕的一年”及其对印象派兴起的巨大影响进行了扣人心弦的描述。

从 1870 年夏天到 1871 年春天（被维克多·雨果称为“可怕的一年”），巴黎及其人民被德国人围困、挨饿并被迫投降，然后由于激进的共和党人最终建立了一个脱离公社而再次陷入危险。经过血腥巷战和焚烧巴黎市中心后，被法国军队镇压。正如著名艺术评论家塞巴斯蒂安·斯密（Sebastian Smee）所言，印象派运动正是在这些动荡时代的背景下诞生的——作为对暴力、内战和政治阴谋的回应。

斯密以激动人心且极其生动的散文，通过印象派伟大人物的眼睛讲述了那些戏剧性的日子的故事。爱德华·马奈、贝尔特·莫里索和埃德加·德加在围城期间被困在巴黎，并深深地陷入了政治之中。其他人，包括皮埃尔·奥古斯特·雷诺阿和弗雷德里克·巴齐耶，在首都以外的地方加入了军团，而克劳德·莫奈和卡米尔·毕沙罗则及时逃离了该国。此后，这些艺术家对生命的脆弱产生了新的认识。这种对瞬息万变的感觉——反映在印象派对转瞬即逝的光线、季节变化、瞥见的街景和万物无常的强调上——成为该运动对艺术史的巨大贡献。

这一切的核心都是一个爱情故事。马奈被认为是印象派之父，而莫里索是唯一一位从一开始就在该运动中发挥核心作用的女性。斯密深刻地描绘了他们复杂的关系、彼此之间错综复杂的影响以及他们的伟大遗产，同时也让人们对印象派核心的女性产生了迟来的关注。

《废墟中的巴黎》深刻而引人入胜，捕捉了艺术世界不断变化的激情和政治，揭示了围困的压力和公社的混乱如何对现代艺术产生了深远的影响，以及艺术天才如何从黑暗和灾难中脱颖而出。

来自出版商

ASIN ‏ : ‎ B0CTXMXVKQ
出版商 ‏ : WW Norton & Company (2024 年 9 月 10 日)
出版日期 ‏ : ‎ September 10, 2024
语言 ‏ : ‎ 英语
文件大小 ‏ : ‎ 15725 KB
文本转语音 ‏ : ‎ 已启用
屏幕阅读器 ‏ : ‎ 支持
增强排版 ‏ : ‎ 已启用
X 射线 ‏ : ‎ 已启用
Word Wise ‏ : ‎ 已启用
打印长度 ‏ : ‎ 381 页

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Reviewer: Floyd B Crosby
Rating: 5.0 out of 5 stars
Title: Fascinating!!
Review: It grew my knowledge and understanding of!

Reviewer: S. Henley
Rating: 5.0 out of 5 stars
Title: Art and History collide
Review: This is really a story of how art made history and how history influenced art!

Reviewer: Christian Schlect
Rating: 3.0 out of 5 stars
Title: City of Light in Dark Days
Review: As the author says in his note on sources, this book is: “…an attempt to knit together art history, biography, and military and social history…”Such an ambitious goal, one that seeks within its 337 pages to cover one of the most complex and bloody times in the history of France while also explaining a key advance in Western art, is bound to be incomplete and sometimes superficial.Here, the author chooses the Impressionist painter Berthe Morisot to be the anchor of his tale of war, politics, and the advancement of art. At times Mr. Smee’s writing goes a tad overboard, such as on p. 281 where he gives the reader this: “Cornelie probably rolled her eyes at such mischief. But she knew, too, that Edouard and Berthe were connected by tendrils of affection that had mysteriously thickened.”

Reviewer: Tom B
Rating: 5.0 out of 5 stars
Title: Wonderful book that’s about art, people and an incredibly interesting time in French history
Review: Not enough reviews yet for this book so I thought I would contribute one. This might be the most fun I’ve ever had with work of art history. Many of us have gotten exposed to Smee through his brilliant Washington Post essays which begin with a single painting and pan out to the artist, the artist’s life and what was going on in the artist’s world.This is a very ambitious work that explains the roots of impressionism, the conflict between the French academy painters and new artistic ideas coming in many cases from the provinces, and in the background the incredibly tumultous times for France including the 1848 revolutions, the back-and-forth between empire and republic, and the Paris commune.Smee’s writing is lively and fun, and the story is packed with human experience told through the eyes of the artists and their families — especially Manet and Berthe Morisot.I get so tired of impressionist hype — done by museums to sell tickets — the narrative that impressionists were some kind of God-given genius revolutionaries, when the truth is that impressionists’ ideas and techniques came out of early and mid-19th century rebels such as Corot and Courbet and then especially Manet.The book makes clear that there wasn’t such a bright line between impressionists and establishment academy painters — Morisot, for instance, regularly got her work into the Salon but volunteered for the impressionists’ rebel exhibition because she wanted to support them. Manet loved to create outrage, but the Salon accepted his works and no doubt Salon visitors loved to gossip about them and Manet loved the attention.Anyway, here’s hoping that Smee keeps writing these. I’d love to see him write about the early Renaissance to the time of Boticelli in Florence — it’s a similar time of political upheaval and a cluster of genius in one small corner of the world. Or a look at late 18th/early 19th century French painting — David, Ingres to Chassériau.

Reviewer: JC
Rating: 5.0 out of 5 stars
Title: Not just scholarly and insightful but intensely immersive
Review: Have you ever considered how much art owes to the chaos of history? Sebastian Smee’s ‘Paris in Ruins: Love, War, and the Birth of Impressionism’ might change how you look at a painting forever.This captivating book takes readers on a vivid journey through one of the most tumultuous periods in Parisian history, known as the ‘Terrible Year.’ From the German siege of Paris to the radical Commune uprising, Smee masterfully captures these dramatic events through the eyes of iconic Impressionists like Édouard Manet, Berthe Morisot, and Edgar Degas.Smee compellingly portrays these artists not just as painters but as individuals deeply impacted by the shifting tides of history. He convincingly argues that Impressionist works are more than just ‘pretty pictures’—they are profound reflections on the fleeting nature of life in a world perpetually on the brink of collapse.The author’s writing is not just scholarly and insightful but intensely immersive. Listening to the audiobook, narrated superbly by Julian Elfer, I found myself transported into the scenes of the paintings Smee describes. His prose doesn’t just narrate history; it paints it, allowing readers to feel the textures, smell the air, and hear the distant sounds of a city under siege.More than just a study of art history, ‘Paris in Ruins’ is a commentary on how art and politics intertwine. Smee makes a compelling case for how the ‘Terrible Year’ tumult reverberated through France’s cultural and social fabric, leaving an indelible mark on the art world.While one might expect to be occasionally overwhelmed by the wealth of historical detail, this is not the case. The book excels in both its narrative and analysis.’Paris in Ruins’ is an intelligent and absorbing read that challenges our understanding of Impressionism and its roots. Whether you are an art enthusiast, a history buff, or simply a lover of well-crafted narrative nonfiction, this book will leave you seeing the Impressionists—and perhaps the world itself—in a new light. I will add a hardcover of this book to my library, where it will occupy a prominent place. For those who enjoy audiobooks, the narration by Julian Elfer adds another layer of enjoyment to this already rich experience.

Reviewer: Big Canvas Reads
Rating: 5.0 out of 5 stars
Title: A permanent spot in my collection
Review: I really want to talk to someone about this novel! It’s my niche that I love and adore and study as much as I can. This novel’s audio version was immersive and informative. I had to buy the print version also because I needed to go back and make notations and add it to my French Art collection as I wish I could have seen any of these artists in their element. Every Art or history buff these this in their collection.

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